Crafty Goodness

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Of late I’ve become enamored of chunky knits. Ridiculously chunky knits. Knits so chunky they become hindering, wearable sculptures.

via the V&A Museum via http://wool-rocks.com/ via http://madamebarry.tumblr.com/

Nah.                                    Getting warmer….                            YEP, that’s the stuff.

The problem is, how to create a super-bulky garment without an excess of weight? Two out of three of the above use what looks like roving – open, light, fluffy wool not spun or wound around other bits like most yarns. The downside is, being nearly raw wool, roving tends to pill, stretch, and shed more than other yarns. The last appears to be some form of fabric, which when rolled upon itself would have the structural strength to hold shape without stretching, but which very quickly becomes a stiff, heavy garment (try knitting with yarn made from t-shirts some time – it’s more suitable for floor mats and baskets than clothing. Little drape, heavy on the skin).

Examining a young lady’s giant knit rugs, her ‘raw material’ looked like giant, soft rope - rope made from roving. Of course! A slight felting of the roving, especially wound into ‘yarn’, would give structural stability without losing the fluffiness that gives roving bulkiness without bulk! Looking into methods of felting roving, I came across this:

Whaaaaaa….what is this magical device? Where can I get a giant version?!!? Why can’t I stop watching these videos? Aside from being a neat little tool, I found the videos’ aesthetic hypnotizing.

The well-manicured but bare hands!
japanese felting- poking

The bubble lettering backed by pastel!
japanese felting - braider rolling

The soothing background music, reminiscent of Lionel Richie played on MIDI keyboard! (You’ll…have to watch the video.)

The COLORS! (Well, pink isn’t my thing but imagine this in different shades of blue or green!)
japanese felting - braider

japanese felting - braider CU

 

In this tutorial, you’re shown how to make a tiny decorative cake.

Picture 3

japanese felting - tiny cake

Why you would need a tiny felt cake is beyond me, but the information’s there if you need it. After falling down the rabbit hole of  Japanese felt crafting YouTube videos, I found….THIS:

japanese felting - creepy unfinished face

While this looks like a kawaii version of the cover of ‘Pet Sematary’, it’s from a full video tutorial of someone making their own cat in felt form. Unintentional freakiness ensues.

japanese felting - cat stick japanese felting - cat stick embarassed

I couldn’t decide which of the wire body shots cracked me up more, so here’s both.

japanese felting - headless cat

Headless cat on a table.

japanese felting - cat butt

Is that…..

japanese felting - cat butt

Yes, that is a needle-felted cat anus. There’s a sentence I never thought I’d type. Perhaps someone who reads kanji characters can explain why there’s a music note at the end?

I also couldn’t decide which side-by-side comparison shot was my favorite, so again, here’s both:
japanese felting - cat expressions

See, on the one hand, this one has a completely disembodied cat head and a shared expression of confused fear.
japanese felting - cat expressions

On the other hand, this one has wall-eyed staring in super-close-up.
japanese felting - cat staaaaare

SUPER CLOSE-UPPPPPP.

The company that makes the neat little rope device has many adorable video tutorials, including this more stereotypic one wherein a squeaky cartoon cat walks you through the steps:

japanese felting - cat bands?

Their main website also has patterns for these lil’ charmers (Full title: “The Twin Hamanaka wool felt that it is mew about time when it”.)

kawaii kitties

Enjoy!

 

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A while back I made some stuffed toys of all the vowels excluding the letter Y…why, I am not sure. If I made them again I’d probably make all the eyes from small buttons or cut pieces of felt instead of sewing them on, or perhaps I’d have used a thicker stitch or thread to make them pop.

They turned out pretty close to the initial sketch:
y gets left out

AEIOU not Y

Clearly the A is my favorite – who could be mad looking at that face full of joy?
AE

For some reason I looks like broccoli.
EI

OU

Sad Y

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My casual Ebay search for vintage patterns came to a screeching halt when I came across Mary Maxim’s Junior Casuals (Vol. 28). Oh sure, laugh at me for exaggerating the sheer freakiness of this particular volume, but you too will know the horror.

“Oh, is the little baby afraid of a widdle book of knittOH MY GOD HE’S STARING INTO MY SOUL!”

MaryMaximv28_1

Crimson the Clown’s dragging that little girl straight to the sewer drains.

As if a creepy clown grasping a child’s hand with an all-too-knowing glance plastered right there on the cover weren’t warning enough, further terrors are found within:

“Gee this one looks ok…oh dear Lord. What…what is that behind them? Did I just see it move?!” You may have, but I bet they never did.

MaryMaximv28_3

 

This manages to out-creep the rabbit TV show from David Lynch’s ‘Inland Empire’.

rabbits

MaryMaximv28_2

 

MaryMaximv28_8

What dusty storeroom was this 1930s black cat costume dragged from? Who thought this would be a ‘charming’ character for children to display sweaters next to instead of seeing the void in the crouching figure’s eyeholes?

 

MaryMaximv28_4

It’s saying something when a child leaning on an extremely intense extra from ‘Born to Boogie’ is the least scary image in the batch.

 

MaryMaximv28_6

Even Pedro the Donkey screams in mute horror!

 

What’s interesting is, terrifying costume and prop choices aside, these are vibrant, charming photos. The saturated pastels, extreme foreground framing, composition, and acres of shiny blonde hair make every image look like a living illustration from the era.

MaryMaximv28_7

 

 

MaryMaximv28_5

 

MaryMaximv28_9

All images via Ebay user tundi151.

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I am pleased as punch to see my AIM project published in issue #197 of ‘The World of Cross Stitching’, a UK-based publication.

world of cross stitch magazine_2012small

Sure, they could have used my proper alias or listed my website, but why quibble about basic journalistic details like that when my work’s in such excellent company? Part of the article ‘From Mundane to Magic’, I’m featured alongside Emily Roose of ‘The Sketchy Pixel’ and Mr. X Stitch himself, Jamie Chalmers! Eeeee!

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Sweet joy! Skimming a website of offbeat Simpsons collectibles several years ago, I noticed at the very bottom a Patons knitting booklet. Knitting? SIMPSONS? It must be mine. The book was only published in Australia and the UK, which explained why after many a fruitless Amazon and Ebay search it didn’t turn up. To Ebay International! AND FINALLY, VICTORY!

I believe I now comprehend (though don’t fully understand) the need of grown men and women to buy bits of their childhood back. For me, this purchase does not fill that need; I never had this object when I was an impressionable youth, nor did ‘The Simpsons’ occupy the amount of brainspace then they do today. What appeals to me about owning this book is that I now have an honest chunk of a particular time and mentality.

Here we have an item clearly intended to capitalize on the frenzied Simpsons-mania of the early 90s. As opposed to the current glut of merchandise coasting on fumes of past glory, early Simpsons goods rode high on the goodwill created by the show’s genuinely groundbreaking early seasons. That doesn’t negate the mindless consumerism it inspired (and ‘The Simpsons’ itself made fun of the show’s omnipresent merchandising quite often), but these objects were created in response to consumer demand. Another indicator of genuine affection for the show and desire for what it represented were the hundreds of bootleg variants of ‘The Simpsons’ tailored to individual groups. The physical objects met a psychological need, and when they didn’t, people created their own physical objects.

Even taken as a quick cash-in on a fad, this book was still created with the crafter in mind. A crafter, someone who would create these objects for others, kids, teens. It seems less crass to take advantage of a crafter’s generosity towards others than it does to put out a sub-par product and churn endless variations of it, like the current round of Simpsons action figures. I can’t do much with an action figure but plop it somewhere; these patterns I can make into physical objects for me and others to enjoy. The crafter becomes a part of the creation of the object and is involved with its dispersal.

On top of that, even for a cash-in these are well-designed patterns. Chunky enough for quick turn out, yet without losing the cartoonish details that make the characters enjoyable, these patterns show thoughtfulness in translation. They’re the work of Gary Kennedy, who specialized in creating intarsia patterns of popular characters. After a hiatus, he’s recently started up again and from the looks of it is going strong.

Tempted as I am to immediately make ‘Cool Bart’, I feel honor-bound to first pay tribute to the Simpsons’ overlooked middle child Lisa. The periwinkle blue brings back painful reminders of mom jeans, faux turtlenecks and entire houses done up in Laura Ashley patterns, so I’ll probably go with one of the three variants below:



“It looks so much better…a beautiful sky blue.”

Now I just need to figure out the perfect Lisa quote for the back.

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