How much do I want to avoid working from home? Enough to take a lengthy break to rectify finding only one animated GIF of the infamously goofy Tompkins Park rave. Flimsy excuse, or God’s work?



Go Santa, go Santa, go Santa…
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How much do I want to avoid working from home? Enough to take a lengthy break to rectify finding only one animated GIF of the infamously goofy Tompkins Park rave. Flimsy excuse, or God’s work?



Go Santa, go Santa, go Santa…
Tags: animated gifs, new york, raves
When visiting the Strand, I usually end up in their 3rd floor Rare Books room. This is partly because the room is accessible only via one elevator, making me feel slightly badass and spy-like just walking into it, much like discovering a hidden room in a video game. It’s partly because entrants are left free to roam in a sizable, open room smelling pleasantly of old leather and paper, FILLED WITH RARE BOOKS.
The rarest of the rare are displayed behind thick glass in an old-timey bank vault next to the main desk. Here you’ll find your Mark Twain signed first editions and rare monographs handwritten by former kings. Otherwise, everything else is out in the open. You can just wander around leafing through early editions of ‘On The Road’, children’s books from Soviet Russia, or pulp Victorian romance novels with ornate jewel covers. There’s even a tiny room in the back filled with books so ancient they disintegrate before your very eyes (it smells very nice though).
Now, ‘rare’ doesn’t always translate to ‘unaffordable’. Rare just means something you don’t come across very often, something there’s not very much of. This is an irresistible proposition to me, the possibility of having what may be the ONLY COPY LEFT of something, even if that something has little or no practical application or resell value. Actually, especially if it’s impractical with little resell value. Imagine my joy then, after wandering around looking at lovely and far too expensive tomes, to come across this baby on a shelf for a mere $15.00:

‘How To Click Before The Camera’ is a 1949 step-by-step guide for models on posing. I’m not sure why it’s so rare – the back page implies this was one of several booklets the company sold regularly, and How To Click seems the most comprehensive of those offered. In any event it’s a treasure trove of surreal imagery – floating heads, disembodied limbs standing on clock faces, and articulated mouth gestures with strange phrasings beneath.









Seeing as the magazine’s apparently so rare I thought I’d share the whole book right here, so in the unlikely event my computer and apartment simultaneously spontaneously combust, the world can go on learning which poses are FOR EXOTIC HIGH FASHION ONLY. Please, use this knowledge wisely.
Tags: how to, modeling, models inc., posing, work it girl
I cannot sing the glory of the New York Public Library’s research archives high enough. On a previous excursion, I took out 5 catalogs from the typesetting era, giant books detailing all typefaces available for purchase along with decorative flourishes and a variety of creepy and disturbing images. Page after page of glorious fonts! Behold!
Tags: fonts, NYPL, typefaces, typographtastic, victorian


Something about the kid’s expression…I can’t quite place it. It wouldn’t be out of place on a DEVO album, especially with the plate of giant sausages floating next to him.

These bright, saturated orange and yellows popped cheerily on the shelf and drew me right in. Then again that could be due to placement next to a refrigerated case full of de-fleshed cow legs. Whole cow legs, hoof and all. Mmmmm boy.
Tags: canned sausage delights, food, groceries, Jamaica, shopping
As I belatedly type this on the eve of Hurricane Irene, after a day’s worth of panic from the radio (“If you and your children should find yourself near downed power lines, don’t touch them!” Thanks guys!), trudging through endless grocery lines, and now nervously wondering if the few people I know stuck in Manhattan made the last subway train out (deadline: 12:00pm), it all seems a bit extreme.
We on the East Coast are geographically fortunate, mostly avoiding natural disasters that plague the rest of the country. We’re on a major fault line, but it’s mostly inactive. We do get storms, but they’re weakened after moving up the coast. We’ve even had the occasional tornado, though with the dense build-up they’re rarely as destructive as those in the Midwest and barely touch down. So it’s a bit of a surprise having a hurricane follow an earthquake in less than a week.
The yin and yang of stereotypical New York mindsets, the high-strung neurotic and the blasè rock, are reacting about as expected. For every gallery owner panic-grabbing fontina and prosecco at Eataly screaming “I HAVE CHILDREN TO THINK OF!”, there’s a stoopfull of elderly Hispanic guys quietly chatting and playing dominoes (which they would continue doing whether the sun came out or a car exploded in front of them). Given how hectic day-to-day life in a crowded city is, either mentality is an acceptable coping mechanism, but it’s funny how few major disasters the city has to deal with. With the 10-year anniversary of September 11th drawing near that may seem strange to write, but it’s the 10-year anniversary, and how many large-scale terrorist attacks have we experienced since? Exactly.
Which brings me rather long-windedly around to this week’s pattern, from a state that’s no stranger to devastating natural events.
Stay safe, everyone.
On a random tangent, I declare the Allan Moore lookalike the Stevie Nicks of Kansas, for while the rest of the band plays 12 instruments each, he sings and plays tambourine. And sports a boss beard.
Tags: 50 states, embroidery, hurricanes, kansas, state of emergency, stormy weather