New York City

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Once again Film Forum outdoes itself with a wonderful program of dual-projection 3-D movies sans anaglyphic viewers. For the layman, that means gorgeous prints without the red/blue glasses. I caught ‘The Mad Magician’, featuring, as was required of B-grade horror-schlock from that time, Mr. Vincent Price.

If you only saw him in later years, it’s easy to forget Vincent Price had the build of a quarterback and height of a basketball player. In this film, described as a ‘low-rent ‘House of Wax’, he plays a magic show prop-builder for a cruel boss who stole and married his now-ex-wife. Denied a chance to shine on stage, he snaps, and subsequently kills again and again to hide his crimes. There’s plenty of ‘comin’ at ya!’ 3-D effects, including water squirted out at the audience and a fight where objects are thrown more than punches, usually directly at the camera.

For sheer 3-D exploitation though, nothing topped the Three Stooges short preceding the movie, ‘Spooks’. Foot-long needles, squirting water, flamethrowers, knives, axes, pies, all were shot out at the audience, with a healthy helping of angry gorilla and physical abuse thrown in. Admittedly, it’s not the Stooges at their best (Shemp’s looking a little rougher for the wear), but the charm of an added dimension makes it work.

It’s hard to state without being able to show how amazing Film Forum’s 3-D setup is. The theater’s size and distance make for a perfect experience of the intended depth of field, and the lack of color filters emphasizes the space you’re seeing on screen, without modern movies’ loss of brightness and clarity (not to mention Film Forum doesn’t have modern vinyl screens, which also dilute image quality. Hey, if it’s good enough for Martin Scorsese it’s good enough for you).


This fellow greeted me on the way in and out, and reminded that right after the 3-D Classic screenings end, the William Castle screenings BEGIN! Percepto! Emergo! The Coward’s Corner! ALL WILL BE PRESENTED AT FILM FORUM! That’s right, they’re even wiring up the seats for ‘The Tingler’ so you too can ‘Scream! Scream for your lives!’

En route home this was all over the subway:

This ‘Jim Joe’ is quite the upstart. The tag started appearing in Bed Stuy and the Lower East Side here and there, on a dumpster and the occasional wall. In less than a month they were all over Brooklyn and lower Manhattan, and now something this scale!

Lest you think all graffiti is dudes writing names on stuff, here is a tagged Fibonacci sequence. Yep.

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Staircase Staredown.


If we had more murals depicting vicious birds of prey gloriously flying against a gorgeous sunset in schools, we’d have more archaeologists.


Aww, so cute, the little baby dinosaurs.


The little baby dinosaurs whose bones they found curled up next to their long, long dead parents.


It’s good to remember inside every cute animal is an anonymous skeleton.

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A recent lovely day inspired a trip into Manhattan via the Williamsburg bridge. Walking over any of New York’s bridges is a delightful way to travel if you have the time, but Williamsburg bridge offers the unique chance to get slammed by a biker texting and zipping around what I’d like to term ‘Dead Man’s Curve’, a sharp 90° bend in the bridge’s poorly labeled bike/walking lane. Do you walk with or against bike traffic? Who knows! Half the bridge (a random half, always) is closed to pedestrian traffic, forcing everyone to figure it out on their own. On the plus side, Williamsburg is paved and lacks Brooklyn Bridge’s clear view of the 200-plus-foot drop to the water between its worn wooden slats. Off we go!


This whole ‘sexy werewolf’ craze confused me into thinking this was some romance novel hunk transformed. A closer look revealed it was just Ozzy in ‘Bark At The Moon’. Silly.


Near the water walking up towards Williamsburg lay the remains of several barbecues. This happy fellow sat in the middle of the sidewalk.


A giant Monty Python foot sculpture.


This triceratops is visible halfway up the incline to the bridge. Other notable tags to keep your eyes peeled for along the Williamsburg: You Go Girl, Cash 4 ?, Read Up!, and a clipper ship where once there was painted a Darth Vader.


The current collection at the New Museum, cherry-picked by Jeff Koons, is the epitome of the hit-or-miss, randomly chosen for youth/popularity feeling endemic of their exhibits. The 3:00 daily Jesus hopping up on the cross was fairly entertaining though. Regardless of what’s on display, the museum always boasts an amazing view on their top floor of the entire area.

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Spotted from the eastern balcony on a nearby roof, this was a cute little message.


This one, not so cute. Probably more truthful.


This image is all over now, but it was particularly odd spotting it in the window of a nearby ritzy SoHo boutique. Those with disposable income enjoy their kitsch sweet & sour, I suppose.

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It’s refreshing how forthright they are about what they can and can’t offer.

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Unlike this place, trying to substitute delicious taro with deadly fugu.

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Walking down Marcus Garvey boulevard, I was surprised to come across what for all the world looked like a giant castle. It’s not exactly what you’d expect to see in the midst of faded brownstones and tiny bodegas.
Brooklyn Castle

Brooklyn Castle

Brooklyn Castle
A bit of research revealed the building, currently called the Pamoja House, is an armory built in 1922 currently serving as a homeless shelter and temporary home for the Black Veterans for Social Change.

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