animation

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Behold, my latest creation. Actually, not quite the latest- I began animating this about a year ago with a DV camera my dad accidentally dumped paint on while painting the guest room. He gave it to me, I managed to unstick the ‘on’ toggle, and for fooling around purposes it worked just fine.

I shot scenes whenever I had time, and it wasn’t until I finally got around to editing it that I realized the true importance of continuity. I tried color timing to fix the glaring lighting jumps but as I’m no expert it worked about as well as getting plastic surgery to fix your last round of plastic surgery. Eh. Onward and upward.

Also part of the ‘onward and upward’; getting a damn microphone. Recording your own foley’s the way to go, and do you know how annoying it is slogging through sound effects sites? Their ‘Babbling Brook- Gentle Stream’ sounds like a cat gargling marbles, and 90% of the time it’s in a low-res format. Aaaagh.

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Knowing the lovely stop-motion videos of Andersen M Studio weren’t made by ‘animators’, but by a charming sibling graphic design team, one can’t help but feel a twinge of jealousy. Yet it’s hard to bear a grudge against people who create such simple and charming pieces. A blank sheet of paper fascinates with its near-infinite possibilities, and seeing it not just cleverly utilized but focusing on the utilization of a page is wonderful.

The paper man above has a terribly awkward walk cycle, pointed out not from hateration but to reinforce that traditional, realism-based animation is not Andersen M’s specialty. They’ve come to animation through graphic design and brought a tactile, dramatic quality to their stop-motion work.

What amazes in their animation isn’t flow and movement (though the scurrying letters above are just pwecious), it’s their use of light and shadow, the physical details of their cutouts, and most important, the process of creating those cutouts, featured in scuttling paper bits and peel-aways. What was just a flat piece of paper jumps to dimensional life as it’s maniuplated in front of you.

You can see more animations on their website, including two sets of station IDs for television channels that really highlight their great use of camera movement and lighting.

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A Walk In The Woods

There’s something ridiculous about iMovie having ‘Brontosaurus Call’ as a sound effect under ‘Animals’. I wonder how many users have made use of it? (Not I; I used Dinosaur Growl).

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Pins & Needles

This was rushed over three evenings, as the free trial for FrameThief was about to run out, and goodness knows I’m nothing if not cheap. So, wires and strings visible, poor lighting, shaky camera, additional self-deprecating comment, blah blah blah.

I nearly garrotted myself on the ‘invisible’ fishing line I’d set up between my desk and closet for the pins; in my morning sleepiness I’d forgotten it was there. I also put a hole in a perfectly good ironic t-shirt, which I wanted solely for its appearance in “I Married Marge”. C’est la vie.

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Part 1 of ‘Labyrinth’, by Jan Lenica. The person posting it claims it’s overtly political, but it feels more like a general dystopian work, with a slant against ladies as part of the mechanism of destruction. There’s two scenes where women are directly luring men, or half-men/insects, to doom and hat ruination. At the same time they’re shown as creatures of power, even when they choose to be in thrall to monsters, while the men are mostly tiny bugs being crushed or burnt. Still, if you like your animated Victorian cutouts a la Ernst, you will dig this.

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