silliness

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A recent lovely day inspired a trip into Manhattan via the Williamsburg bridge. Walking over any of New York’s bridges is a delightful way to travel if you have the time, but Williamsburg bridge offers the unique chance to get slammed by a biker texting and zipping around what I’d like to term ‘Dead Man’s Curve’, a sharp 90° bend in the bridge’s poorly labeled bike/walking lane. Do you walk with or against bike traffic? Who knows! Half the bridge (a random half, always) is closed to pedestrian traffic, forcing everyone to figure it out on their own. On the plus side, Williamsburg is paved and lacks Brooklyn Bridge’s clear view of the 200-plus-foot drop to the water between its worn wooden slats. Off we go!


This whole ‘sexy werewolf’ craze confused me into thinking this was some romance novel hunk transformed. A closer look revealed it was just Ozzy in ‘Bark At The Moon’. Silly.


Near the water walking up towards Williamsburg lay the remains of several barbecues. This happy fellow sat in the middle of the sidewalk.


A giant Monty Python foot sculpture.


This triceratops is visible halfway up the incline to the bridge. Other notable tags to keep your eyes peeled for along the Williamsburg: You Go Girl, Cash 4 ?, Read Up!, and a clipper ship where once there was painted a Darth Vader.


The current collection at the New Museum, cherry-picked by Jeff Koons, is the epitome of the hit-or-miss, randomly chosen for youth/popularity feeling endemic of their exhibits. The 3:00 daily Jesus hopping up on the cross was fairly entertaining though. Regardless of what’s on display, the museum always boasts an amazing view on their top floor of the entire area.

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Spotted from the eastern balcony on a nearby roof, this was a cute little message.


This one, not so cute. Probably more truthful.


This image is all over now, but it was particularly odd spotting it in the window of a nearby ritzy SoHo boutique. Those with disposable income enjoy their kitsch sweet & sour, I suppose.

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I recently finished reading G.K. Chesterton’s ‘The Man Who Was Thursday: A Nightmare’, available free online. Though I wouldn’t recommend staring at a screen for three-odd hours (I had little choice in the matter and am fairly sure permanent retinal damage has been done), I can certainly recommend the story. I came across it by accident, and continued on because I liked the title.

It might come off as a bit shallow, but I tend to judge things by their names. Filing papers for a graduate education class, I came across a fellow named Max Steele. By odd coincidence my mom took another education class with him and assured me a) that was indeed his given name and b) he was not a secret agent. Still, that’s the sort of name that gets you promotions in cutthroat Wall Street offices! Maaaax Steeeeele, he’s the man who’s name you’d love to touch! But you mustn’t touch! His name sounds good in your ear, but when you say it, you mustn’t fear! ‘Cause his name can be said by anyone!
Anyway.

‘The Man Who Was Thursday’ pulled me in much the same way Graham Greene’s ‘The Ministry of Fear’ did- you’ve distinct characters suddenly and ridiculously thrown into very dangerous, yet still blackly funny, situations. In the latter a win of cake leads to threats of violence and attempts on his life, and in the former, a philosophical argument ends with a trip to the heart of anarchists’ secret lair and sudden promotion to head of their league. After reading all the way through, I realize more than an action/spy comedy, ‘The Man Who Was Thursday’ is a strong religious allegory about why bad things happen. It doesn’t come off as pious or corny, though I should’ve realized something was up when the first characters introduced were ‘Lucian Gregory’, the red-headed anarchist poet, and ‘Gabriel Syme’, the poetic policeman (see, again with the importance of names). Still, a very entertaining read with wonderful descriptions of place and emotion. This describes the deceased Comrade Buttons, whom Syme replaces as codename Thursday:

“As you know, his death was as self-denying as his life, for he died through his faith in a hygienic mixture of chalk and water as a substitute for milk, which substance he regarded as barbaric, and as involving cruelty to the cow.”

The way most anarchists, save their leader Sunday, are portrayed is almost quaint-they want to throw bombs around like little kids hurling rocks into a pond. Even the very earnest Lucian is undermined by his hissy fits and quick temper. The story also nicely points out why all anarchists are naturally the bored wealthy, similar to my personal experience of all self-proclaimed anarchists being the children of middle-to-upper-class families with no sense of humour.

Almost all of G. K. Chesterton’s works can be found online here, should you care to peruse them.

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“Mail order brides so cheap you can buy ‘em by the half-dozen!”


“Now listen, Granny-you start telling me what I want to know or I’ll suck it out of you, see?”


“Selling Cookies and Hunting Commies since 1943”


By 1926 a less labor-intensive way of building cars was invented.


As Prof. Grendam tried unsuccessfully to explain that bigger dice didn’t mean faster money, Charlie the dummy started to get impatient.


I shall not discuss our courtship whilst that disturbing man is watching us!


At last Gladys had discovered the grave of St. Dorcas, patron saint of silly hats.

I found all these at the Los Angeles Public Library website. Make sure to check out all the tabloid photos-they’re fairly harsh for what’s normally associated with the time.

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